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On the woozy “Karaoke”, he tells a possible girlfriend back home, “Things have been so crazy and hectic/ I should’ve gotten back by now/ But you know how much I wanted to make it.” At the time, Drake was fighting for credibility and clout, spending time away from Toronto and working to achieve some semblance of legitimacy as a nakedly emotional and insecure lover in a genre full of street-wise fighters. On mixtapes like 2009’s So Far Gone and his debut album, Thank Me Later, his interactions with Toronto were vague and distant any references to the city were typically oblique, and couched in either regret or nostalgia. But Drake’s music puts forth a version of Toronto that transcends these headaches-a version of the city at its best.ĭrake’s lyrical relationship with his city has shifted and grown over the years. That’s an important distinction, because the real Toronto has problems just like any other city: rising inequality, a budget that’s tougher to wrangle every year, infrastructure deficits and transit planning woes, and an identity crisis that’s bubbled beneath its surface for almost two decades.
Like many hip-hop locales, it’s a city closer to the realm of theory-and fantasy-than reality.
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His mythological Toronto is a metropolis where everyone knows your name and exes are always lurking around the corner, a forest of penthouses with a panoramic view, a park-studded playground where the skies are free of ambient light and the highways are always clear.
Rappers and producers from the 6 are getting more attention, and a new generation of artists now have a career to emulate and a legend to chase. No MC has ever attempted to play tourism director on such a grand scale for Toronto, a city more renowned for its hockey players and indie rock collectives, but Drake’s mission is proving to be a success. Dre’s dispatches from the streets of Compton, to OutKast’s sketches of a colorful, creatively vibrant Atlanta. 29, 29, 29.His intense civic boosterism isn’t particularly novel in itself: Rappers have been writing love letters to their cities and building rose-colored landscapes in their music for decades, from Dr.
In a promotional video released on his social media accounts, Drake compares his humble beginnings to his multitude of victories saying, “New ride, old ride.
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To those privy to the movements in the October's Very Own camp, it's no coincidence that he is releasing his sixth album (including If You're Reading This It's Too Late and the collaborative album What A Time To Be Alive in his discography) in April 2016, or 4/16 - a trio of numbers that serves as the Toronto area code that the rapper famously refers to as “The 6" - on the 29th day of the month, in his 29th birth year. Though bold, the lyrics are not too far from the truth given his unmatched ability to stay sonically relevant and financially prosperous. "I used to want to be on Roc-A-Fella, then I turned into Jay ," Drake says on "Summer Sixteen" - a potential, but unconfirmed cut from the album. However at the time that the FORBES Cash King list was released in September 2015, he was 28 years old and reported to have brought in approximately $39.5 million. In 2013, the Toronto native professed his aspirations of making $250 million by his 29th birthday.
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